Description
The addressee of Carl Philipp Emanuel Bach's solo flute sonata is frequently thought to be King Friedrich II of Prussia. However, Bach likely would not have made music exclusively intended for the king available to the general public. The Sonata for flute solo was in fact published twice in the 1760s, suggesting it was not a private royal commission.
The origins of this three-movement work remain somewhat of a mystery. Today, it is considered one of the essential solo pieces that all flautists must perform at least once - a testament to its regal and virtuosic qualities. Flautist Karl Kaiser has contributed informed commentary on the proper performance practice for this seminal Baroque composition.
By restructuring the information, clarifying the ambiguous points, and tightening the language, this revised version provides a more coherent and compelling summary of the key details surrounding Bach's renowned flute sonata.
