Description

Franz Liszt, a dedicated admirer of Schubert, frequently showcased transcriptions of Schubert's songs during his piano recitals, achieving remarkable success that caught the attention of publishers. Beginning in 1838, a multitude of these arrangements was published, rapidly disseminating across Europe in various editions and reprints. The six "Miller Songs," released in 1846, are described in the title of the Viennese first edition as being "transcribed into a lighter style," serving as an excellent introduction to Liszt's work in this genre. However, in "The Miller and the Brook," Liszt's virtuosity shines through, particularly in the middle section, where he introduces a more intricate interpretation of the "little brook" as an Ossia, intended for more skilled pianists. Evgeny Kissin's fingerings provide an ideal foundation for effectively interpreting the musical text crafted by Andrea Lindmayr-Brandl, which is based on comprehensive source material.