Author : Nils Franke, Ludwig van Beethoven, Franz Schubert, Johann Nepomuk Hummel

Description

Author : Franz Schubert

Description

Author : Franz Liszt, Franz Schubert

Description

Franz Liszt, a dedicated admirer of Schubert, frequently showcased transcriptions of Schubert's songs during his piano recitals, achieving remarkable success that caught the attention of publishers. Beginning in 1838, a multitude of these arrangements was published, rapidly disseminating across Europe in various editions and reprints. The six "Miller Songs," released in 1846, are described in the title of the Viennese first edition as being "transcribed into a lighter style," serving as an excellent introduction to Liszt's work in this genre. However, in "The Miller and the Brook," Liszt's virtuosity shines through, particularly in the middle section, where he introduces a more intricate interpretation of the "little brook" as an Ossia, intended for more skilled pianists. Evgeny Kissin's fingerings provide an ideal foundation for effectively interpreting the musical text crafted by Andrea Lindmayr-Brandl, which is based on comprehensive source material.

Author : Franz Schubert

Description

Author : Franz Schubert, Franz Liszt

Description

Schubert's "Ständchen" (Serenade), based on Rellstab's poem "Leise flehen meine Lieder" (Gently My Songs Entreat), is one of the most well-known art songs. Liszt's piano solo arrangement of the piece also remains highly popular today. First published in 1838 without ossias, Liszt's arrangement had triumphed on the piano by 1840, likely due in part to his addition of easier variants, as evidenced by the numerous European editions released during the composer's lifetime. Liszt himself was fond of performing the "Ständchen" as an encore, and even composed small cadenzas for it, which are included in the new Henle Urtext edition. This edition also features English and French translations of the German poem, as well as the placement of the song text above the music, with fingerings provided by Evgeny Kissin.

Author : Franz Schubert, Franz Liszt

Description

As a dedicated admirer of Schubert, Franz Liszt enjoyed playing transcriptions of Schubert's songs during his piano recitals – and so impressively that publishers started to pay attention. Commencing in 1838, many of these types of agreements were published. They rapidly circulated across Europe in various editions and reissues. The six “Miller Songs” released in 1846 are, as stated in the title of the initial Viennese edition, “transcribed in a lighter manner,” providing an excellent introduction to this aspect of Liszt’s artistry. Notably, “Wandering” serves as a remarkable instance of how Liszt, the arranger, elevates a straightforward verse song into an outstanding piano composition through the use of constantly refreshing timbres and figurations. Through his fingerings, Evgeny Kissin provides an ideal basis for effectively performing the musical text created by Andrea Lindmayr-Brandl, drawing from all available sources.

Author : Franz Schubert, Franz Liszt

Description

Franz Liszt maintained a lifelong admiration for Schubert. In his performances, he showcased Schubert’s songs through piano transcriptions, achieving remarkable success that caught the attention of publishers. Consequently, starting in 1838, a variety of Liszt-Schubert arrangements were published, often featuring simplified versions of the most challenging sections to appeal to a broader audience. The effectiveness of this approach is evident from the numerous editions and reprints that circulated across Europe during Liszt’s lifetime. With the release of this Urtext edition of “Aufenthalt” (Resting Place), G. Henle Publishers initiates a series dedicated to these captivating reflections of Liszt’s passion for Schubert. Editor Andrea Lindmayr-Brandl has meticulously reviewed the available editions, while renowned pianist Evgeny Kissin has contributed fingerings and assisted in selecting the pieces.

Author : Franz Schubert

Description

In the final years of his life, Schubert increasingly found success in publishing his works. For instance, his Impromptus and Moments musicaux were published in 1827 and 1828, respectively. Likely capitalizing on this momentum, he composed three additional pieces in May 1828. While equally impressive, these later works remained unpublished until Brahms' edition in 1868 - an unjustifiable delay that may contribute to their relative obscurity today.

Author : Franz Schubert

Description

Schubert's Three Piano Pieces have been published as part of ABRSM's 'Signature' Series - a series of authoritative performing editions of standard keyboard works, prepared from original sources by leading scholars. Includes informative introductions and performance notes.