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This vibrant and diverse concertino for violin is bursting with personality and is sure to leave a lasting impression! Employing the 1st, 3rd, and 5th positions on the violin, Rieding's Concertino in G, Op. 24 presents a technical challenge, yet it will make a fantastic addition to your repertoire. The part for solo violin is also provided on a separate insert.
Oskar Rieding's Concerto In B Minor Op.35 for Cello with Piano accompaniment, as written for 1st-7th positions.
The 'Marcia' and 'Rondo' are frequently the initial concert works for a young violinist that do not belong to any violin method. Both pieces have become popular in classroom performances. They provide the young musician a chance to convey different emotions through vibrant and graceful performances.
Oskar Rieding (1840–1918) is widely recognized among violinists and educators for his accessible concertos designed for novice players. His compositions, intended for instructional purposes, are not only easy to learn but also aesthetically pleasing and captivating.
Tags : Violin Concerto
The name Oskar Rieding may not be widely recognized in concert programs, but it is highly familiar to violin students. Even today, Rieding's short concert pieces for violin and piano, written in the early 20th century specifically for beginners, remain staples of lessons and recitals. His Op. 35 Concerto in B minor, limited to the first position, is particularly well-suited for those starting out on the instrument. For this Urtext edition, based on the first printing, editor Annette Oppermann had the valuable assistance of Slovenian Rieding specialist Maruša Zupančič, who contributed an insightful preface on the little-known composer.
Tags : Violin Concerto
Oskar Rieding's one-movement Concertino is intended for advanced violin students. Beyond playing in third position, it demands a high degree of dexterity and bowing mastery. The "Hungarian style" in the title refers to Rieding's over three decades of service at Budapest's National Theatre, with the piece's distinctive rhythms evoking Hungarian folk music that will captivate spirited young violinists. This Urtext edition features an insightful preface by Slovenian Rieding specialist Maruša Zupančič, and the solo part markings are provided by experienced violinist Evelyne Grüb-Trauer.
