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Both Chelsea Reach and Ragamuffin were created in 1917 and initially shared the collective title of London: Impressions for Piano, with Chelsea Reach temporarily referred to as The River. The piece captures the view of the Thames between Battersea Bridge and Chelsea Bridge, a sight familiar to Ireland, who resided nearby on Gunter Grove. The barcarolle's rhythm reflects the flowing river and draws inspiration from Chopin's music.
Ireland's contributions to piano music are as significant to the British musical tradition as Fauré's are to the French. The works of both composers, while distinctly personal, also embody the essence of their respective nations, thereby enhancing the European musical heritage.
Ireland's piano compositions represent a significant contribution to the British musical tradition, comparable to the influence of Fauré on the French tradition. The works of both composers are distinctly personal while simultaneously embodying the characteristics of their respective countries, thereby enhancing the European musical heritage.
The complete collection of John Ireland's evocative piano compositions is presented in this five-volume set. These definitive editions systematically organize all of Ireland's solo piano works in chronological sequence, incorporating corrections from earlier editions by Alan Rowlands and Eric Parkin.
Ireland's piano compositions represent a significant contribution to the British musical tradition, comparable to the influence of Fauré on the French tradition. The works of both composers are distinctly personal while simultaneously embodying the characteristics of their respective countries, thereby enhancing the European musical heritage.
The complete piano compositions of John Ireland are compiled in this comprehensive five-volume collection. These definitive editions present all of Ireland's solo piano works in chronological sequence, incorporating revisions from earlier editions by Alan Rowlands and Eric Parkin.
