Description
Both Chelsea Reach and Ragamuffin were created in 1917 and initially shared the collective title of London: Impressions for Piano, with Chelsea Reach temporarily referred to as The River. The piece captures the view of the Thames between Battersea Bridge and Chelsea Bridge, a sight familiar to Ireland, who resided nearby on Gunter Grove. The barcarolle's rhythm reflects the flowing river and draws inspiration from Chopin's music.
Ragamuffin serves as a character study of a quintessential London archetype, reminiscent of the Artful Dodger, yet inspired by a real-life encounter experienced by the composer. This lively scherzo features a principal theme that mirrors the contour of Chelsea Reach, with its boldness cleverly masking the intricate melodic structure, a testament to the skillful artistry that Ireland developed under the tutelage of Charles Villiers Stanford at the Royal College of Music.
Completed in 1920, Soho Forenoons portrays an area filled with both contemplation and joy, hinting at hidden courtyards and the presence of street musicians, as suggested by the recurring drum-like bass in the central section. The piece is to be performed ‘quasi Tambourine’, and its reference to the traditional French dance highlights the distinctly Gallic character of this neighborhood, historically a refuge for those fleeing from across the English Channel.
