Description

In the early 18th century, the recorder gained significant acclaim as a solo instrument among amateur musicians. This included members of the English court, particularly princesses, for whom Handel likely composed his six recorder sonatas around 1725/26 for their musical enjoyment and education. Shortly after their creation, only four of these sonatas were published, allowing them to reach a wider audience, while the remaining two were not identified for the recorder until the 20th century. Due to their engaging melodies and rhythms, these pieces, which feature relatively accessible recorder parts, are considered some of the most exquisite compositions for the instrument. In contrast, the continuo part, characterized by extensive bass lines and intricate figures, demands a player with considerable skill.