Description
The early compositions are rightly acclaimed for their keyboard proficiency, innovative use of texture, and an inherent sensitivity to structure and equilibrium. This accessible and affordable collection includes the Triple Concerto No. 7 in F (K.242), Concerto No. 8 in C (K.246), Concerto No. 9 in E-flat (K.271), and the Double Concerto No. 10 in E-flat (K.365).