Description
Eduard Hanslick, a renowned critic, harshly condemned the violin concerto's premiere, describing the violin as being "pulled about, torn asunder, beaten black and blue." However, his scathing review failed to halt the work's triumphant rise to prominence. Tschaikovsky's only violin concerto has become a true test of virtuosity, its incredible technical demands captivating audiences. Yet the concerto's enduring appeal stems largely from its great expressive power, particularly the beloved, lyrical "Canzonetta" movement. This milestone of the violinist's repertoire is now available in a text-critical edition that faithfully preserves the original form.
