Online Catalogue
Showing 1 of 1 Page(s)
Show:
Sort:
Showing currentPage 1 of 1 Page(s)
Show:
Sort By:
Books of: Viola & Piano
Beethoven: Nocturne in D major, Op. 42 (Viola/Piano)
G. Henle Verlag

Beethoven: Nocturne in D major, Op. 42 (Viola/Piano)

Author : Ludwig van Beethoven

Description

After the first edition of Beethoven’s Serenade op. 8 for string trio of 1797, there followed within a few years numerous arrangements for a wide variety of scorings which are largely unknown today. The arrangement for viola and piano, made at that time by Franz Xaver Kleinheinz, has, however, long been known and loved by viola players – perhaps because it was created “under the supervision” of the composer. In any case, Beethoven (who was, after all, a violist himself!) declared to the publishers Hoffmeister & Kühnel that it had been “reviewed by me and, in places, greatly improved”. That the publishers would issue the arrangement in 1804 as the Notturno op. 42, without mentioning the actual arranger, was presumably not what Beethoven had in mind – but this does not detract from the pleasure of this rare gem of chamber music. With great enthusiasm, the viola and piano engage in a dialogue, revelling in a cheerful serenade-like tone, while lyrical and dramatic moments provide variety. This edition offers a carefully reviewed musical text, which enriches the moderately difficult to advanced repertoire for viola and, at the same time, is thoroughly entertaining.

RM 85.00
Joachim: Variations on an Original Theme, Op.10 (Viola/Piano)
G. Henle Verlag

Joachim: Variations on an Original Theme, Op.10 (Viola/Piano)

Author : Joseph Joachim

Description

Joseph Joachim is considered one of the most important violinists of the second half of the nineteenth century. By contrast, his indeed small but at the time highly regarded compositional work is hardly known today. Unjustly so, as shown by the Variations on an Original Theme op. 10, which was admired by Brahms. The work was composed in 1854 in connection with Joachim’s unrequited love for the authoress Gisela von Arnim, to whom he erected a monument employing musical symbolism in the opening theme gis1–e1–a1 (g-sharp–e–a; a = Italian la). The theme, performed by the piano alone, is followed by ten variations that demonstrate an immense diversity of derivations – in terms of melody, harmony and, above all, rhythm – from the simple basic idea.

RM 118.90

Brands