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Author : Burton Lane, E. Y. Harburg, Alan Jay Lerner
The Broadway Double Bill series features two productions by the same composer compiled into a single folio. Among the selections from Finian's Rainbow are: How Are Things in Glocca Morra? * Look to the Rainbow * Old Devil Moon * When I'm Not Near the Girl I Love. From On a Clear Day You Can See Forever, the titles include: On a Clear Day (You Can See Forever) * When I'm Being Born Again * Melinda * She Wasn't You * Come Back to Me * Hurry! It's Lovely Up Here, along with numerous others.
Author : Frederick Loewe, Alan Jay Lerner
Titles: Why Are The English Unable?; Would It Not Be Wonderful; With A Touch Of Fortune; I Am A Common Man; Just You Wait And See; The Rain Falls In Spain; I Could Have Danced Throughout The Night; On The Avenue Where You Reside; You Accomplished It; Demonstrate To Me; Ensure I Arrive At The Church On Time; A Song Of Praise To Him; In Your Absence; I Have Become Accustomed To Her Countenance.
Author : Frederick Loewe, Alan Jay Lerner
Arnold Schoenberg's Piano Pieces, Opus 11, represent a landmark in the evolution of piano music. While Schoenberg had already composed other atonal works, these were exclusively for voice with sung text. In contrast, the Piano Pieces, Opus 11, stand as the first purely instrumental compositions written in the style of "free atonality." Despite their revolutionary and explosive quality, the pieces adhere to a classical structure, featuring a sonata-like first movement, a slow middle section, and a turbulent finale.
Schönberg's circle sought to shape musical processes without a tonal context, and one solution they found was the extreme streamlining of form. This is exemplified in Schönberg's 1911 Six Little Piano Pieces, Op. 19, where the concentration on the essential is renowned. Beneath the fleeting gestures lie hidden depths, particularly in the final piece's purported reference to Gustav Mahler's funeral on May 21, 1911. Pianist Emanuel Ax's carefully considered fingerings invite all musicians to engage with these miniatures anew. The Henle Urtext edition presents this modern classic in a generously laid-out musical setting.
This comprehensive volume brings together Schönberg's complete works for solo piano, tracing his remarkable compositional evolution. It spans a wide range, from the free atonal pieces of Op. 11 to the aphoristic Op. 19, the fascinating tone-row experiments of Op. 23, and the dodecaphonic works of Op. 25, 33a, and 33b. The appendix also includes three captivating early pieces from 1894 by the 20-year-old composer, providing astonishing insight into the late-romantic roots of Schönberg's modern style. This definitive edition allows readers to easily follow the development of Schönberg's pioneering classical modernism, encompassing both landmark works and thrilling, trailblazing music. It is an essential resource for anyone seeking to engage with Schönberg's groundbreaking piano oeuvre.