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This exceptional collection of works encompasses nearly the entirety of Fauré's compositional journey, offering a wealth of enrichment throughout one's lifetime. The inspiration behind such profound pieces as the 6th and 10th Nocturnes is truly awe-inspiring. Unfortunately, the 'Nocturnes' faced a challenging publishing history, leading Howat to identify numerous corrections, amendments, and alternatives directly from Fauré's own hand. He remains attuned to the dynamic and fertile nature of Fauré's creativity, viewing minor discrepancies in repeated or parallel sections as intentional choices rather than compositional errors to be rectified. His research includes piano-roll recordings of three Nocturnes performed by Fauré himself.
Contents: Romance sans paroles, Op. 17, No. 3 • First Barcarolle, Op. 26 • Third Impromptu, Op. 34 • Fourth Nocturne, Op. 36 • Fourth Barcarolle, Op. 44 • Sixth Barcarolle, Op. 70 • Clair de Lune, Op. 46, No. 2 • Improvisation, Op. 84, No. 5 • Berceuse, Op. 56, No. 1.
The 13 Barcarolles by Gabriel Fauré, which were written over nearly 40 years (1882–1921), are considered to be his most distinctive piano compositions and are a good representation of his output.They show how he broke away from the Romantic idiom, especially that of Chopin and Mendelssohn, and created his own unique musical language by fusing modernism with tradition.Based on Gabriel Fauré's Œuvres complètes, these significant works are now available in scholarly-critical Urtext editions that represent the most recent findings. The compositions' origins and significance are explained in detail in the forewords, which also provide insightful recommendations for historical interpretation. Taking into account every manuscript, printed source, and piano roll that contains the composer's recordings, new findings have been made, especiall
Fauré's piano compositions hold significant importance within his body of work. He dedicated his "Ballade," created in 1879, to his mentor Camille Saint-Saëns. This piece diverges from the traditional epic structure of the genre, adopting characteristics of sonata form while maintaining a lyrical essence. In 1881, Fauré orchestrated the "Ballade," which subsequently premiered in this new arrangement.