WhatsApp For More
+6 (012) - 524 8258
WhatsApp For More
+6 (012) - 524 8258
Brahms's music is versatile, as demonstrated by the pieces in this selection. Even amateur pianists can enjoy his immediately appealing, playable works. His delicate intermezzi evoke a dreamy, soulful mood, while the included waltzes - which Brahms himself published in simplified versions - showcase his cheerful, "Austrian" musical sensibilities.
In 1879, shortly before Johannes Brahms composed his late, melancholic piano pieces, he wrote the two Rhapsodies op. 79 - two markedly passionate and extensive works. In a letter to the convalescent Clara Schumann, Brahms described these pieces in his typically understated manner, remarking that "with [them] you can really run riot and test whether the course of treatment has actually had any effect." While Brahms' friend Elisabeth von Herzogenberg acknowledged that the G minor Rhapsody was her favorite, she also praised the "intensely prickly beauty" of the B minor work. Both of these popular compositions have now been revised as part of the new Brahms Complete Edition.
Brahms' three popular Intermezzi, Op. 117, are often considered the pinnacle of his late piano works. Clara Schumann confessed that "in these pieces I at last feel musical life stir once again in my soul." However, Brahms himself reacted to this characterization in a rather brusque manner, formally rejecting the notion that the pieces could be called "Wiegenlieder" (lullabies). As he put it, "It should then say, lullaby of an unhappy mother or of a disconsolate bachelor." The new edition of these moderately challenging Intermezzi (difficulty level 5/6) has now been revised to align with the musical text of the Brahms Complete Edition, and features fingerings by pianist Andreas Boyde.