Description

The third concert etude in D-flat major from Liszt's Trois etudes de concert presents a significant challenge to advanced pianists due to its continuous hand-crossings and the fluctuating number of cascading notes in the accompaniment per measure.

A beautiful pentatonic melody is intricately woven into the arpeggio-like patterns, which are often executed by alternating hands throughout the composition.

The main challenge of this masterwork lies in keeping the cantando melodic line clear and well-phrased while simultaneously ensuring the accompaniment flows transparently. This edition is derived from Musikalische Werke herausgegeben von der Franz Liszt-Stifung, Series II, edited by Ferruccio Bus